Radiation can be removed either with a radiation absorbing artifact or a dose of anti-rad. Radiation damage is pretty simple: the more radiation you’ve absorbed, the faster your health decreases. Players who wander into these hot spots will find their vision distorted by grey TV static. Contrary to a handful of contaminated puddles and mushrooms in post-nuclear Moscow, the Zone is positively covered with fields of radiation. franchise are constantly aware of their radiation exposure. Though technically not post-nuclear, fans of the S.T.A.L.K.E.R. The Metro games take this a step further, subtly reminding the player that the world above the tunnels is not like the world in the postcards. This is why so many post-apocalyptic movies have an obligatory Geiger counter scene: it puts the audience in a survivalist mindset. Without radiation, the world of Metro 2033 could be mistaken for a sci-fi setting similar to Gears of War, especially since Moscow’s surface is considered poisonous rather than radioactive. Although subtle, this gameplay mechanic immerses the player into the setting.

These pockets of radiation are mostly harmless, though Artyom can die if he stands in a hotspot for a few minutes. Small set pieces such as bioluminescent mushrooms or pools of bubbling green slime will cause the Geiger counter to tick.

The Geiger counter in Metro 2033 is primarily used for immersive world building. To further explore this mechanic, we’ll be analyzing three game series that make extensive use of radiation. Therefore, because radiation attacks the body slowly, game developers have approached this mechanic in a variety of ways. Even several lethal doses will not result in immediate death. Radiation typically does not kill outright. However, with gamification comes new challenges. While this element of world building is often overlooked in film, radiation serves as an important gameplay mechanic in the majority of post-nuclear video games. Generally, special equipment is required to detect the presence of radiation. This is largely because radiation cannot be seen, felt, or heard. Many films overlook this crucial aspect or at most offer a token Geiger counter scene ( She Wolves of the Wasteland). You can’t have a post-nuclear setting without radiation.

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